Much to our surprise, yes!For years and years we had no luck at all with pre-coating paper. When we tried the resulting images had been half-strength or the paper exposed itself inside the dark bag. Then quite unexpectedly we had a happy accident. For most occasions there is really no advantage to having paper pre-prepared.…
Category: Resources
Various technical resources
Film Developer Recipe: PaRodinal
Introduction Why would you want to make your own developer? There’s plenty of perfectly good developers that you can buy right off the shelf. Well! There’s two good reasons The history of photography is a long one, littered with thousands of chemical recipes that do different things. Many of the popular formulas from years gone…
Cyanotype Safety
What’s In There?
Internet, meet The Analogue Laboratory. You guys have been flirting for a while, but it’s time to get some details out in the open. At the moment the Lab is pretty idle most weekdays. We think that’s a bit sad. Then we thought if we introduced everybody properly, maybe we could get this party started.…
How to: Turn a Film Pack Adapter into a Glass Plate Holder
Since I started playing with Silver-Gelatin Dry Glass Plates I’ve been keen to find some sort of plate holder that would fit my 4×5″ camera without a lot of fuss. Glass plates are generally 2mm thick, and of course don’t fit comfortably into a standard 4×5″ film holder. The Light Farm, that perennial goldmine of…
Understanding Alchemy 101 at George Eastman House
A spooky as all get out, “the snow only just melted” George Eastman House. In April 2015 it was *my* turn to get incredibly lucky. With enormous gratitude to the South Australian Arts funding body ArtsSA, I tootled off to George Eastman House in Rochester, New York to undertake a week long Ambrotype and Tintype…