Various technical resources
Much to our surprise, yes!For years and years we had no luck at all with pre-coating paper. When we tried the resulting images had been half-strength or the paper exposed itself inside the dark bag. Then quite unexpectedly we had a happy accident. For most occasions there is really no advantage to having paper pre-prepared.…
With all this Doing Science With Cool Kids stuff comes the inevitable question of safety – is Cyanotype safe for children to work with? While the answer is simple, there’s a bit of misinformation out there, compounded by some assumptions. This post will go into the subject in detail.
Internet, meet The Analogue Laboratory. You guys have been flirting for a while, but it’s time to get some details out in the open. At the moment the Lab is pretty idle most weekdays. We think that’s a bit sad. Then we thought if we introduced everybody properly, maybe we could get this party started.…
Since I started playing with Silver-Gelatin Dry Glass Plates I’ve been keen to find some sort of plate holder that would fit my 4×5″ camera without a lot of fuss. Glass plates are generally 2mm thick, and of course don’t fit comfortably into a standard 4×5″ film holder. The Light Farm, that perennial goldmine of…
A spooky as all get out, “the snow only just melted” George Eastman House. In April 2015 it was *my* turn to get incredibly lucky. With enormous gratitude to the South Australian Arts funding body ArtsSA, I tootled off to George Eastman House in Rochester, New York to undertake a week long Ambrotype and Tintype…
From the top of Sulphur Mountain Now and then, if you’re stupidly lucky, you get crazy opportunities to do absurdly fun things. (I have to note that this is two times in a row for me, if you’ve been reading the other blog posts) Since January 18th of this year I’ve had the pleasure to…
